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Stella By Starlight - PDF Download,<em> by Tom Matta</em> On a Misty Night - PDF Download,<em> by Tom Matta</em> Ladybird - PDF Download,<em> by Tom Matta</em>

(10 Brass) Looking for the perfect opener or closer? This is a fresh new arrangement of the classic standard and it swings from start to finish! Front-line of trumpet, tenor, soprano and guitar. Recorded on UNC's Alive X CD. Solo for trumpet. Lead alto and tenor double on soprano.

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View all charts by Tom Matta

(8 Brass) This Tadd Dameron classic is given a fresh, relaxed treatment with solos for piano, alto and trumpet. Commissioned by Rob Parton for the Chicago College of Performing (Roosevelt University) Jazz Ensemble.

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View all charts by Tom Matta
Fresh, swinging new arrangement of this timeless standard. Thad-style unison soli, big shout chorus. Five trombones and rhythm.

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Two In The Dew - PDF Download ,<em> by Tom Matta</em> Two Steps Forward - One Step Back - PDF Download,<em> by Zach Rich</em> Winter Wonderland - PDF Download,<em> by Tom Matta</em>
A medium-up swinger with challenging bass trombone figures, lots of independence and a burning soli/shout section. Great for blowing. Five trombones and rhythm.

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View all charts by Tom Matta

Two Steps Forward - One Step Back - (Level IV) Nine Brass - This is a medium-up, high energy swing chart written for standard or 9-brass big band. Inspired by the writing of Bob Mintzer, Thad Jones, and Bob Brookmeyer, "Two Steps Forward (One Step Back)" features a McCoy Tyner-esque introduction leading into a hard-bop style melody. The piece features a trumpet or trombone solo, followed by either guitar or baritone saxophone, ending in an energetic shout section that is punctuated by drum solos and fills. This chart would be a great choice for a high-level high school or college jazz band looking for an energetic opener or closer to their set.

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View all charts by Zach Rich
Winter Wonderland (8 Brass) This medium swinger really cooks - a holiday concert MUST! Commissioned by Reference Recordings for the DePaul University Jaz Ensemble, Bob Lark, Director. Recorded by DPU on Big Band Basie. Woodwinds: alto 1 doubles on piccolo, tenor 1 doubles on flute.

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View all charts by Tom Matta
Along Came Betty - PDF Download,<em> by Tom Matta</em> You're My Everything - PDF Download,<em> by Tom Matta</em> ...And Especially - Download PDF, by Erik Applegate
(8 Brass) Medium Swing, Guitar solo at introduction.

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You're My Everything (9 Brass) Bass trombone to the fore! Swingin' chart in the classic George Roberts style! Difficult bass trombone part including a unison duet with bass. Solo for alto sax. This chart is part of the Charlie Vernon series, which features solo bass and/or tenor trombone with big band. The solo part contains the melody, lead lines, solis, etc., but no improvising.

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View all charts by Tom Matta

...And Especially - (Level IV) Written for the great drummer Ronnie Bedford, this is a high-energy but medium-tempo hard bop swing chart, playable by advanced high school groups and well suited for colleges and pro bands. After the head and a memorable sax soli, there is solo space for drums and bass (the bass solo section, with medium-difficulty changes, can be opened up for any additional or alternate soloist). After the solos, there is a grooving shout chorus that builds to an exciting finish.
(8 Brass)

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View all charts by Erik Applegate
Body and Soul - Download PDF, <em> by Will Campbell</em> Olive Street - Download PDF, <em> by Will Campbell</em> Pure Imagination - Download PDF,<em> by Will Campbell</em>
Body and Soul - (Level IV) This exciting chart features the lead alto and uses Coltrane’s substitute changes on this standard. There are also unaccompanied solis for the brass and saxophone sections. A mixed meter coda is used to simulate the original recording. A great chart to feature both the soloist and the ensemble. (8 Brass)

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View all charts by Will Campbell
Olive Street - (Level IV) features lead alto with well-complemented ensemble sections. The chord progression takes harmonic “left turns” to create an interesting tonal landscape. A saxophone soli is also included within an exciting shout chorus. This is a perfect chart for an ensemble looking for a modern chart within a comfortable tempo. (8 Brass)

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View all charts by Will Campbell
Pure Imagination - (Level IV) This Basie-style medium swing arrangement features tenor and trumpet on the initial statement of the melody. Improvisation solo for tenor, with drum solo space during shout chorus followed by brushes solo with band figures. Saxophone soli also included. Bass line and piano voicing provided for younger players. (8 Brass)

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View all charts by Will Campbell
Face To Face - Download PDF,<em> by Antonio Garcia</em> Angel Eyes - Download PDF - Trombone Feature with Big Band,<em> by Eric Richards</em> Night And Day - Download PDF,<em> by Eric Richards</em>

(Level III) Commissioned by the Illinois MEA District I Vocal Jazz Ensemble, this medium swing tune's lyrics talk about the challenge of daring to meet that new, attractive guy or girl for the first time. An AABA tune with (opt. written) scat solos, this chart represents an easier and shorter version of the style offered by Strollin' with Sammy.SATB w/ Rhythm

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View all charts by Antonio Garcia
Angel Eyes (8-9 Brass) (Level 3) This jazz standard has been re-cast as a relaxed modal swing trombone feature. The harmonic language and scoring approach creates a rich orchestral palette for the soloist and rhythm section to "float" on top of. No doubles (soprano sax lead).

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View all charts by Eric Richards
Night And Day (9 Brass) (Level 4) A contemporary straight ahead chart on the Cole Porter standard. This arrangement was conceived as a closer to the vocalist's portion of the program. As such, it includes a short reprise of the chart for bows. It also features a "supersax" style soli for the vocalist, Trumpet 5, and the saxophone section. This is one vocal chart with a lot of material for the band to "sink it's teeth into." Key of Bb.

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View all charts by Eric Richards
Doxy - Download PDF,<em> by Eric Richards</em> Boogie Lady - Download PDF, <em> by Dan Keberle</em> Clockwise - Download PDF,<em> Cedar Walton arr. by Ben Markley</em>
Doxy - Download PDF (8-9 Brass) (Level 4) This medium straight ahead chart on Sonny Rollins' famous "set-closer" features bass trombone. The melody is stated in a frontline of piccolo (opt. flute), harmon trumpet, bass clarinet, and bass trombone. There is an extended jazz solo section for bass trombone and/or piccolo (opt. flute). Doxy is a refreshing change of pace that features a sometimes neglected instrument. Tenor IV doubles on piccolo or flute, Bari V doubles on bass clarinet.

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Boogie Lady (Level IV) - Dan's arrangement of alto saxophonist and composer Erica VonKleist's super hip and cutting edge tune Boogie Lady adds a nice punch to the angular and chromatic melody. This tune, with an even eighth note groove, is in 3/4 time with a third section in 7/8. It is different and unique with a "creepy vibe", and will surely stand out in any jazz concert program. It requires a real solid bass, piano, guitar, and drummer to lay down the two different 16th note ostinatos, as well as horns who can count! Top trumpet note is a high D . Includes space for open solos. 8 Brass


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Clockwise (Level IV) - From the Cedar Walton collection arranged by Ben Markley. Soprano Sax, Flugelhorn, Trombone, Guitar solos. 8 Brass

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Gingerbread Boy (Swing) - PDF Download - 16 Copies,<em> by Jennifer Barnes</em> Confide in Me - PDF Download - 16 Copies,<em> by Jennifer Barnes</em> Three O'Clock In The Mornimg - PDF Download, <em> by Dan Keberle</em>
(Level IV) Two charts of different styles and difficulty levels are available on this infectious, wordless Jimmy Heath blues melody. The medium swing arrangement is a terrific, accessible vehicle for improvisation as well as learning to achieve a solid swing feel on the linear melody and background figures. It also has very moderate range requirements for both men and women. SSATB with rhythm section.

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View all charts by Jennifer (Shelton) Barnes

(Level III) Originally performed by the Manhattan Transfer on The Offbeat of Avenues, this is a bluesy, romping solo feature for one or several of your killer tenor soloists. Ensemble vocalists get to have fun in a mostly background vocal role throughout. This will sound especially strong with synthesized B-3 organ part and/or electric guitar. A great way to close a program! SSATB w/ rhythm section

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Level IV . Fun swinging chart with sax soli section.

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View all charts by Dan Keberle
Moondance - PDF Download,<em> by Eric Richards</em> Alice In Wonderland - PDF Download,<em> by Eric Richards</em> Miss Otis Regrets - PDF Download 16 Copies SSAA,<em> by Deke Sharon</em>
Moondance (9 Brass) (Level 4) An adaptation and expansion of the famous Van Morrison tune, based on a recording by Bobby McFerrin. This arrangement begins in an ethereal "floating" swing style and evolves into a hard swinging modal feel. It features a saxophone soli, and a powerful ensemble soli reminiscent of McCoy Tyner. Key of C.

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View all charts by Eric Richards
Alice In Wonderland - PDF Download (9 Brass) (Level 4) This concert piece was originally written for MSG Bobby Smith of the Army Blues in Washington, D.C. It has since been performed by the USAF Airmen of Note, the Army Jazz Ambassadors, the University of North Florida and other professional and university level ensembles. It opens with a rubato solo piano statement of the melody which progresses into a post-bop swing feel. After two choruses of solo piano, the brass section plays an a cappella soli in the style of Rob McConnell.

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Miss Otis Regrets (Level III) Bette Midler's sass is captured in this fast, furious and fun arrangement of Cole Porter's Miss Otis Regrets. Andrew Sisters-esque 3 part melody above a walking bass line punctuated by brassy horn passages. A great "Story Song", works well as a closer or encore. SSAA a cappella.

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View all charts by Deke Sharon
Red, White and Blues - PDF Download,<em> by Jason Heald</em> Something For Thad - PDF Download,<em> by Scott Reeves</em> Tunnel Vision - PDF Download,<em> by Arthur White</em>
Red, White and Blues - This exciting patriotic medly opens with a lush, a cappella SATB arrangement of the Mariners' Hymn and finishes with a smoking swing version of the Battle Hymn of the Republic. The chart features a rousing baritone solo and a unison bop chorus ala Parker and Gillespie. Excellent for scat singing. A first-rate closer! SATB with rhythm.

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View all charts by Jason Heald

Something For Thad (10 Brass) (Level 4) An exciting, extensive chart on rhythm changes with two choruses of sax soli, a tutti shout chorus and solo space for piano and trumpet done in a Thad Jones style. Winner of the 1987 C.A.J. Composition/Arrangement Award, University of Northern Colorado.

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View all charts by Scott Reeves

Tunnel Vision (Level IV) is a modal jazz composition inspired by the fusion groups Yellowjackets and Steps Ahead. A floating melody sits atop a heavy 12/8 Afro Cuban fusion groove, driven by a catchy ostinato bass/left hand piano line, and a bridge that swings. Transposed solo changes are included to feature your best soloists, no matter where they sit in your band. Lead Trumpet plays written high F. Optional, yet highly recommended, parts for guitar and vibes. Recorded on Tunnel Vision (Mizzou Jazz Studies) by the University of Missouri Concert Jazz Band. 8 Brass

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View all charts by Arthur White
Christmas in the Rain - PDF Download SATB 16 copies,<em> by Jason Heald</em> Sing We Now of Christmas  - PDF Download SSATB 16 copies with Bass,<em> by Jason Heald</em> I Just Found Out About Love  - PDF Download SSAA 16 copies with rhythm,<em> by Jeremy Fox</em>
Christmas in the Rain - An original song arranged for A cappella SATB. It's a swinging arrangement that includes a female solo.

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View all charts by Jason Heald
Sing We Now of Christmas - This is a swinging SSATB arrangement of the traditional English carol. Scored with string bass accompaniment, the chart can be performed a cappella, too. A great up-tempo chart for the Christmas season! SSATB with rhythm or a cappella.

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View all charts by Jason Heald
I Just Found Out About Love - This jazz standard will serve as a great introduction to a medium-tempo swing feel! The chart contains a good mixture of unisons, two-part and four-part writing. There is a short solo toward the beginning of the chart. After some room for vocal/instrumental improvisation, the chart progresses to a great soli section with horn-like melodic lines and articulations. A fun and swingin' chart that works well as an opener to any program! SSAA with rhythm section.

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View all charts by Jeremy Fox
Moondance - PDF Download - SSAA 16 copies with rhythm,<em> by Jeremy Fox</em> Santa Claus Is Coming To Town - PDF Download SATB 16 copies with rhythm,<em> by Jeremy Fox</em> Come Fly With Me - PDF Download 16 copies,<em> by Deke Sharon</em>
This arrangement of the Van Morrison classic will be a favorite of every group! The chart is a useful tool for developing swing feel with your group. There is a short solo toward the beginning, as well as plenty of room for improvisation over basic 12-bar minor blues. The middle of the chart features a hard-swingin' vocal soli, after which the familiar chorus drives it home. SSAA with rhythm section.

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This holiday favorite is transformed into a hard-swingin', lighthearted arrangement. It features solos for a male and female, a half chorus scat solo, and a big shout chorus finish. Light vocal percussion and a strong bass singer are necessary. You will love this harmonically challenging, yet rewarding piece! SATBB a cappella or with optional rhythm section parts.

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Come Fly With Me (Level III) This a cappella arrangement takes the listener on a trip around the world on the wings of one of Frank Sinatra's most iconic songs. Walking bass and playful background parts support a swingin' solo. Vocal percussion optional. SATB a cappella.

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View all charts by Deke Sharon
Moondance - PDF Download - 16 Copies,<em> by Deke Sharon</em>, SSATB a cappella South Carolina Blue Law - Download PDF,<em> by Bert Ligon</em> On Your Own, - Download PDF<em> by Bert Ligon</em>
Moondance (Level III) An a cappella arrangement with tenor solo, this Van Morrison classic is faster and crunchier that the original while keeping the same stucture and general feel. Harmonically dense, yet not too challenging. Vocal improvisation vamp toward the end. SSATB a cappella.

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View all charts by Deke Sharon
South Carolina Blue Law (Level III) I often joke about the law that requires a jazz band to play at least one blues tune per concert (in F or Bb), in order for it to officially be a jazz concert. Here's the chart needed to round out a concert. Plenty of room for solos with options for backgrounds. Works at just about any tempo from medium to fast. 8 Brass

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View all charts by Bert Ligon
On Your Own (Level III) Contemporary medium swing chart sounds hip without being overly difficult. Solos over diatonic changes staying close to one key signature. Experienced players can stretch, but creative noodling in key center will help improvisers sound good. 8 Brass

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View all charts by Bert Ligon
Off Blue - Download PDF,<em> by Bert Ligon</em> There Will Never Be Another You - PDF Download,<em> by Scott Ninmer</em> So Many Stars - PDF Download 16 SATB copies with Big Band,<em> by Tsunenori ''Lee'' ABE</em>
Off Blue (Level IV) Medium swing chart in the tradition of 1960's Blue Note rhythm sections. It features a small group within the big band. Colorful harmony enhances a simple bluesy line. After an sfz chord, the bridge begins softly and three lines crescendo, leading to a climatic send off for the soloists. After solos there is an ensemble section featuring trombones first, trumpets second, and a short sax soli that brings back the original theme. 8 Brass

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View all charts by Bert Ligon
There Will Never Be Another You (Level IV) This Arrangement of “There Will Never Be Another You” can hardly be considered an “arrangement”. It draws only on the basic melodic material from the original tune. The remainder of the piece was born out of both melodic fragments that are reiterated throughout the work and the harmony that is presented during the melodic statement. As a result, 80% of this arrangement features improvisation as the foreground, which puts a large amount of responsibility on the soloists to provide the dynamic shape of the piece. The background textures, provided by the rest of the ensemble, help to ease this responsibility, while also providing further interest during the harmonically static and minimalistic sections of the piece 8 Brass

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View all charts by Scott Ninmer


So Many Stars
(7 Brass) So Many Stars - Alan & Marilyn Bergman’s beautiful lyrics are probably best known through their works for Barbra Streisand. But they have indeed collaborated with numerous composers including Marvin Hamlisch and Michel Legrand. Sergio Mendez, rather surprisingly, joins the collaborators’ list. Starting with Flugel Horn solo over vamp, this poignant Bossa Nova arrangement is a perfect first song for your show, having all the vocalists walk to the stage as the vamp goes on. As performed by vocal quartet “More Than Four.” SATB with Big Band.

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View all charts by Tsunenori ''Lee'' ABE
Groovish - PDF Download (1 of 2),<em> by Steve Kovalcheck</em> Boogalues - Download PDF,<em> by Steve Kovalcheck</em> Hey Momma Blues - PDF Download (1 of 2) PDF,<em> by Steve Kovalcheck</em>
Groovish - (Level III) is a bluesy medium swing chart, inspired by John Clayton’s writing. It is suitable for advanced high school bands as well as college and professional groups. It features solos for piano, guitar, and second tenor saxophone. These solos could easily be extended. Groovish includes a number of ensemble shout sections util-izing call and response between brass and winds. This chart also features a soli scored for trumpet 2, guitar, alto sax 2, tenor sax 1, and trombone 1. This is an exciting chart which combines the big band tradition with a few unexpected twists. (8 Brass)

Please email or call Rex at 970-351-2492 rxburchett@unco.edu for Groovish Score.

By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.

View all charts by Steve Kovalcheck
Boogalues - (Level IV) This is medium Boogaloo blues in the key of D, written as a guitar feature in the style of Wes Montgomery (melody in octaves). It is appropriate for strong high school bands, as well as college and professional groups. The two solo sections feature guitar and trumpet, but can easily be opened up for more improvisers. This chart provides a nice change of pace from the typical funky big band chart. (9 Brass)

By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.

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View all charts by Steve Kovalcheck

(Level III) Hey Momma’ Blues - PDF Download is a medium swing blues, written to capture to essence of the 1950s Count Basie Orchestra, is appropriate for high school groups as well as college and professional bands.  It features solos for piano, lead alto, and lead trombone.  This chart could easily be opened up for extended solos.  Hey Momma’ Blues includes a sax soli and contrast-ing ensemble shout sections which build to an exciting finish. (8 Brass)

Please email or call Rex at 970-351-2492 rxburchett@unco.edu for Hey Momma Blues Score.

By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.

PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.

View all charts by Steve Kovalcheck
Two Steps Forward - One Step Back,<em> by Zach Rich</em> Boogalues,<em> by Steve Kovalcheck</em> Amur In Her Heart,<em> by Jack Cooper</em>

Two Steps Forward - One Step Back - (Level IV) This is a medium-up, high energy swing chart written for standard or 9-brass big band. Inspired by the writing of Bob Mintzer, Thad Jones, and Bob Brookmeyer, "Two Steps Forward (One Step Back)" features a McCoy Tyner-esque introduction leading into a hard-bop style melody. The piece features a trumpet or trombone solo, followed by either guitar or baritone saxophone, ending in an energetic shout section that is punctuated by drum solos and fills. This chart would be a great choice for a high-level high school or college jazz band looking for an energetic opener or closer to their set.

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View all charts by Zach Rich

Boogalues - (Level IV) This is medium Boogaloo blues in the key of D, written as a guitar feature in the style of Wes Montgomery (melody in octaves). It is appropriate for strong high school bands, as well as college and professional groups. The two solo sections feature guitar and trumpet, but can easily be opened up for more improvisers. This chart provides a nice change of pace from the typical funky big band chart. (9 Brass)

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View all charts by Steve Kovalcheck

Amur In Her Heart (Level IV) - Female Vocal Solo and Trumpet Solo. Includes Organ part. 9 Brass

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View all charts by Jack Cooper
   
 
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