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You've Got What? - (Level V) This fast swinging chart was inspired by Thad Jones’ classic composition, Fingers. The tune is based on Bb Rhythm changes, thus the title! There’s plenty of opportunity for multiple jazz soloists with backgrounds. The piece builds throughout, ending with a virtuosic shout chorus that will thrill your audience. It’s challenging, but rewarding for the players and audience! Note: This is the 2006 revision; most of the chart is in Bb instead of the original Eb, which is significantly less difficult than the original version. (8 Brass)
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
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View all charts by David Caffey
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The Murphy Strut - (Level IV) Commissioned by the Martin Murphy Middle School Jazz Ensemble in Morgan Hill, California, this hard-driving shuffle in blues form features solo space for tenor sax with optional solos for other players in the band. There is plenty of variety in the chart including unison lines, interesting counterpoint, and a strong full-ensemble shout section. (8 brass)
By purchasing this product, you agree not to reproduce, duplicate, copy, sell, resell, or exploit for any purpose, any portion of the music, use of the music, any data or image or access to the music. This download is intended for use by the purchaser only. Usually one (1) copy for one (1) ensemble.
PDF downloads are intended to be printed 1x by the consumer. It is against copyright law to distribute.
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View all charts by David Caffey
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Belmont (8 Brass) (Level 4)
“Belmont” is a flowing chart written in even 8th notes, reminiscent of ECM jazz styles. Very expressive and heartfelt, the flugelhorn carries the melody, which flows and evolves passionately over a rich harmonic texture. Both the flugelhorn and the tenor saxophone improvise, while a light samba groove takes over. “Belmont” is strongly influenced by the romantic character of Brazilian music, an influence that can be felt both in its driving groove and in its lyrical melodies. Saxophones double on flutes and clarinets. 8 brass.
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View all charts by Cassio Vianna
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Amizade (8 Brass) (Level 4)
“Amizade” is Portuguese for “friendship.” This medium shuffle in D minor is filled with energy and joy from beginning to end. Tenor and alto saxophones, as well as the drums, are featured as soloists, while the chart builds to a powerful shout chorus. This chart is a strong concert opener! 8 Brass.
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View all charts by Cassio Vianna
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(Level IV) An Eb blues in the style of the Count Basie Band, Bill’s Blues is a hard swinging shuffle written in 2009 to honor retiring Whitworth University President Bill Robinson. The chart features a syncopated melody in a call and response pattern, played the first time by the lead alto sax, baritone sax, and 4th trumpet, and played a second time by the sax section. Solos for tenor sax, trumpet, and includes a sax section soli. 8 Brass
View all charts by Dan Keberle
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(8 Brass) Written with shuffle master Duffy Jackson in mind, this Thad Jones-County Basie style, 24-bar blues is an excellent blowing vehicle for your trumpet and alto saxophone soloists. It also contains some interesting ensemble sections that set up the solosts and provide background figures. This chart gradually builds toward a climax end with the soloists playing over top of a swinging, but powerful ensemble. Features: Trumpet, alto saxophone and drum solos.
View all charts by David Gibble
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You've Got What? - (Level V) This fast swinging chart was inspired by Thad Jones’ classic composition, Fingers. The tune is based on Bb Rhythm changes, thus the title! There’s plenty of opportunity for multiple jazz soloists with backgrounds. The piece builds throughout, ending with a virtuosic shout chorus that will thrill your audience. It’s challenging, but rewarding for the players and audience! Note: This is the 2006 revision; most of the chart is in Bb instead of the original Eb, which is significantly less difficult than the original version. (8 Brass)
View all charts by David Caffey
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(Level IV) This medium to up-tempo shuffle utilizes Lydian dominant harmonies. Solo section backgrounds build to Buddy Rich-style tutti shout with drum fills. 8 Brass
View all charts by Charley Gray
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(4 Brass, 2 or 3 Sax) Original shuffle blues with solos for alto and trumpet. Optional horn (interchangeable with trombone), bari sax, and vibes.
View all charts by Keith Bishop
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The Murphy Strut - (Level IV) Commissioned by the Martin Murphy Middle School Jazz Ensemble in Morgan Hill, California, this hard-driving shuffle in blues form features solo space for tenor sax with optional solos for other players in the band. There is plenty of variety in the chart including unison lines, interesting counterpoint, and a strong full-ensemble shout section. (8 brass)
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View all charts by David Caffey
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This medium-tempo tune is sure to please any audience. A unison beginning goes into a two-part section, then to a four-part section. Solo section with a nice ending. Singable by all vocal jazz groups. A good beginning work for young jazz choir. SSATB with rhythm section
View all charts by Kirk Marcy
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(Level III) This traditional gospel, shuffle arrangement with jazz harmonies is sure to satisfy. The larger the ensemble, the better this one will sound. The 6/8 meter keeps the gospel flow, and the harmonic structure will keep the jazz ears awake with its reharmonization. The opening and closing solo melody may be as free as your gospel ear desires. SSAATBB
View all charts by Bill 'Orange' Lyons
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