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You are here: Home > Swing > Slow
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Sweet Magnolias, by Jeff Coffin arr. Ryan Middagh
(Level III) A soulful slow swing, Sweet Magnolias features a solo tenor saxophone. A great charts for all levels. Standard jazz ensemble instrumentation.  8 Brass
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Espoo You, by Jeff Coffin arr. Ryan Middagh
(Level III) Espoo You is a medium swing chart that can be opened up to feature any member of the jazz ensemble. The chart has a challenging sax soli to feature the sax section. Standard jazz ensemble instrumentation with no doubles. 8 Brass
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Just Wait, by Wil Swindler

(Level IV) Just Wait – In the style of “Lil’ Darlin’” but a bit faster, Just Wait is an accessible slow swing with plenty of traditional attitude.  The harmonic language is that of Thad Jones when he was still a member of the Basie band.  Solo space is for trumpet 4 and baritone saxophone. 8 brass, no doubles.

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Summertime, by Ken Schaphorst
(9 Brass) (Level 3) This reharmonization of Gershwin's lullaby for voices and big band features a vocal solo with improvised responses by trumpet. Clarinet lead. Optional marimba part. SSAA choir with large jazz ensemble.

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Fools Rush In, by Joey Sellers
(8 Brass) (Level 3) Lil Darlin' approach to this standard. Trombone III, Bass and open blowing section.

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Waltzing Mathilda, by Matso Limtiaco
(8 Brass) The Australian folk song gets a Billy Byers-style treatment in this slow swing chart that features trombone. As recorded by the Emerald City Jazz Orchestra.

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Blues on Down, by Chuck Owen

(Level III) This great Benny Golson blues is placed in a classic, buoyant, Basie/Quincy setting. Recorded by Chuck Owen and the Jazz Surge, there are solos for trumpet and tenor (originally Benny and the late Nat Adderley) before the piece gives way to the infectious jazz march groove Benny is noted for (initially provided by an a cappella sax section). A good 'ol swingin' shout takes us back to the understated head. The chart includes a bass solo and flute lead (written in the Tenor 1 part) but remains one of Chuck's most accessible charts for school bands. 8 Brass

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Slow Grind, by Tom Matta
Relaxed, Basie-style swing features warm, rich voicings, thoughtful backgrounds and a "rowdy" tag makes the chart a real winner. Five trombones and rhythm section.

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Goin' Easy, by Rich Matteson
(Level IV) Laid-back swing chart in the Li'l Darlin' style. Solo section for trumpet or trombone.   10 Brass

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Absolution, by Jim McNeely

(8 Brass) A vehicle for a strong tenor saxophone soloist (Rich Perry on the VJO album). It features modal harmony in a slow swing groove, which builds to a high level of intensity. It also contains a litany of short solo statements by each horn player, answered by the full ensemble. 8 Brass

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Reflection, by Jim McNeely


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Salute To Satchmo, by Alan D. Neveu
(Level III)  Originally written for the Penfield High School Jazz Ensemble in Penfield, NY, directed by Jim Doser. The piece was written to feature the foremost Louis Armstrong practitioner of our day, Byron Stripling. Three original compositions in the style of Louis Armstrong are strung together into a medley. The piece starts out slowly as a funeral dirge and ends "hot" with a fast closer. In some sections of the piece, many band members are instructed to play in a group improvisation style. This helps achieve the sound and feel of Louis Armstrong's music while getting the whole band involved in the process. 9 Brass 

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Only, by Kevin Brunkhorst
(Level IV) Jazz Nonet. Only features the trombone.  It opens with a rubato theme statement; the band enters gradually around the 31-bar melody.  The trombone solo threads its way around band figures; rhythmic and harmonic tension builds, then declines rapidly, leading to an open solo cadenza.  There is a brief recapitulation.  Harmony and key centers are advanced; the soloist must understand altered dominants and diminished-major 7th sounds.  Range is not difficult.  The emphasis is on blend and nuance.(flugelhorn, trombone; baritone, tenor, and alto saxes; guitar, piano, bass, drums)
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Deep Blue, by Jeff Richmond
 (Level 4)  Deep Blue is a reference to the open ocean. This piece alternates between a light 6/8 texture and a slow swing feel. It is a contemporary concert piece designed to be an alternative to the standard ballad repertoire. The piece features solo alto saxophone. All trumpets double flugelhorn throughout. Great opportunities for the drummer to explore new textures.

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I've Got A Crush On You, by Bob Martin
(Level III) This starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. TTBB A Cappella

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