 |
 |
 |
|
(Level IV) Arranged in ballad style for jazz or church choir with improvising jazz soloist plus jazz piano, bass, and drums, Duke Ellington’s affirmation comes to life in this setting written for the Alice Millar Chapel Choir at Northwestern University. The jazz harmonies within require chromatic ears of the vocalists, and the soloist may be instrumental or vocal. The choir sings in traditional, “straight” eighth notes except for seven measures of ballad swing. Full score, choral score, rhythm section parts, a rehearsal piano part, plus soloist parts transposed for C Treble, C Bass, Bb, Eb, and F are included. A stirring statement on any day of the week.
SATB w/ Rhythm
View all charts by Antonio Garcia
ANTONIO J. GARCIA has accepted the post of Director of Jazz Studies at Virginia Commonwealth University in Richmond effective, August 2001. A trombonist, bass trombonist or pianist with such artists as Ella Fitzgerald, George Shearing, Mel Torme, Doc Severinsen, Louis Bellson and Phil Collins as well as a composer/arranger and author, Garica serves as Editor of the International Association of Jazz Educators' Jazz Educators' Journal and is past-president of IAJE-Illinois. He is co-editor and contributing author of Teaching Jazz: A course of Study (published by MENC) and a member of the board of The Midwest Clinic. After teaching the summer academic quarter at Northwestern University, Mr. Garcia will leave his current post of Associate Professor of Music at NU. At Northwestern University he directed the combo program, taught jazz and integrated arts, and for four years directed the vocal jazz ensemble. Prior to NU he served as the Coordinator of Jazz Studies at Northern Illinois University. He was selected by students and faculty at NIU as the receipient of a 1992 "Excellence in Undergraduate Teaching" Award and nominated as its candidate for the 1992 CASE "U.S. Professor of the Year (one of 434 nationwide).
|
|
|
 |
|
 |
|
