(8 Brass) An up-tempo (quarter note = 230) mixed meter (6/4, 4/4, 3/4) composition featuring baritone saxophone and trombone on the melody with an Afro-Cuban bridge. This arrangement introduces an introspective, contrapuntal/fugal section before launching into a brisk ensemble soli.

View all charts by Scott Cowan

SCOTT COWAN, a jazz specialist, directs the Western Michigan University Jazz Orchestra, coaches chamber ensembles and teaches jazz theory, jazz arranging, jazz improvisation, applied jazz brass and jazz appreciation. He has held faculty positions at the New England Conservatory of Music, Berklee College of Music, Longy School of Music and Florida International University. He has performed with the Ron Miller Ensemble, the Artie Shaw Orchestra, the Palm Beach Pops Orchestra and as a guest artist at the Glenn Miller Festival. He has appeared with entertainers including Jack Jones, Vinny Falcone, The George Shearing Quintet, Steve Lawrence, Eddie Gormet, Vince Damone, Michael Feinstein, Bobby Rydell, Diahann Carroll and Billy Eckstein; and as a studio musicin for celebrities such as Mike Wallace, Chris Everett, Donald Trump, Regis Philbin and Chevy Chase. He won the Boston Jazz Society Outstanding Jazz Soloist Award and was a finalist in the International Trumpet Guild Jazz Competition. His jazz compositions have been premiered at IAJE conferences and the Boston Globe Jazz Festival; faculty members of the New England Conservatory have presented recitals of his works; and recordings of his compositions have been made by the premier performing ensembles at the University of Miami. As a recording artist, he has performed with the Ken Schaphorst Big Band, Robert Cogan, Bob Moses, the Duke Ellington Repertoire Orchestra and the True Colors Big Band.