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La Verne City Blues, by Brian Owen
(Level III) La Verne City Blues, by Brian Owen, is an excellent blues vehicle for younger band. Intended as a chart for Middle and Junior High School bands, it provides a chance to feature the soloists of the band. A great little march section leads into the solo section where your tenor 1, trumpet 1, and trombone 1 can be featured. A challenging but rewarding shout section follows the solos. Lots of opportunity to provide excitement throughout this chart! 8 Brass - Rhythm Section parts written out.

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A Maze In Grays, by Steve Owen
(8 Brass) (Level 3) How sweet the sound! If this earthy sax feature can't bring out the David Sanborn in your soloist, nothing will. Written in a slow rhythm and blues three (9/8) time, this chart falls into a groove that never stops growing. A strong supporting role, as played by the guitarist, helps bring this arrangement to an uplifting ending. No doubles.

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Kishwaukee Blues, by Joey Sellers
(8 Brass) (Level 3) Slow bluesy thing with open blowing section. Easy. Written for the Nothern Illinois University Summer High School Jazz Camp.

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Traditions, by Richard Lawn
(Level III) Clever arranging and tasteful orchestration give this "ensemble feature" a fresh yet traditional look at swing. An introduction marked by interesting bass, trombone and brush work gives way to a light two beat presentation of the head before settling into a moderate tempo straight-ahead groove. The ensemble gets a chance to show its teeth as the piece half-times into a slow, hard bluesy feel and a brief stop time section en route to the original tempo and a great ending. Brief solos for soprano, bari and piano. Alto I-sop., Alto II, Ten. I & II-fl., Bari-fl./picc.   8 Brass

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Turkey Toes, by Rich Matteson
(Level IV) Straight-ahead blues. Features each section of the band. Open section for solos.   8 Brass

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Shout Blues, by Kerry Marsh
Based on a concept from the John Clayton Big Band, this blues chart is all shout sections, with solo choruses in between. A great teaching tool for the blues, of course, and some pretty aggressive harmonies. This one swings slow and hard, and needs first sopranos that can wail on a few A's above the staff. Works well as a different kind of opener to a show. SSATBB with rhythm section.

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