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Ward Swingle (26)
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V1287
Allegretto - Sonata in C Major (AFM-3), by Ward Swingle
(W. A. Mozart) SATB, bass and drums. VINTAGE COPY. The third movement of Mozart's Piano Sonata in C Major is a good example of the 18th Century "Style Galant." In my adaptation, the bar lines are displaced by half bar, which gives the rhythm a hint of "Dixieland."

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V1288
Allegro - Sonata in C Major (AFM-1), by Ward Swingle
(W. A. Mozart) SATB, bass and drums. VINTAGE COPY. Here is the first movement of the famous C Major Piano Sonata. The singers hae to maneuver some tricky intervals, which are considerably easier when played on the piano!

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V1291
Andante - Sonata in C Major (AFM-2), by Ward Swingle
(W. A. Mozart) STB, bass and drums. VINTAGE COPY. In this, the second movement of Mozart's Piano Sonata in C Major, the men have to simulate the "Alberti Bass," so typical of Mozart's piano style.

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V1335
Bon jour, mon coeur (SM-8), by Ward Swingle
(de lassus) SATB, synth, bass and drums. VINTAGE COPY. For this madrigal, I have written a rather complicated synthesizer part which can underline some of the inner rhythms of the madrigal itself.

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V1336
Come Again (SM-6), by Ward Swingle
(Dowland) SATB, synth, bass and drums. VINTAGE COPY. Dowland's lovely melody lends itself well to a modern, "pop" accompaniment. In my arrangement, one of the verses is sung as an alto solo.

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V1409
El paisanito (SF-3), by Ward Swingle
(anon.) SSAATTBB a cappella VINTAGE COPY. This arrangement was inspired by a recording of the Mexican group "Los Folkoristas." It features an alto duet with an accompaniment that imitates strumming Spanish guitars. In the men's version, the duet is sung by two male altos. This piece was originally commissioned by a Finnish men's choir, The Chamberlains.

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V1337
Farewell, Dear Love (SM-10), by Ward Swingle
(Jones) SATB, synth, bass and drums. VINTAGE COPY. As with a couple of other madrigals, I've adapted "Farewell, Dear Love" with the addition of a solo using the original harmonies as a string-like accompaniment. This madrigal is very easy to sing and has a nice, sincere feeling.

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V1433
Harlig ar jorden (SSC-2), by Ward Swingle
(Traditional) SSAATTBB, bass and drums. VINTAGE COPY. Throughout his arrangement there is a delicate fusion to be maintained between the traditional choral style of the main theme and the gently swinging accompaniment. Reminiscent of the Bach's "Sleepers Awake" Chorale Prelude.

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V1350
How Do I Love Thee? (SO-3), by Ward Swingle
(Browning/Swingle) SATB a cappella. VINTAGE COPY. This is a traditional choral setting (written for my oldest daughter's wedding) of Elizabeth Barrett Browning's wonderful poem. In writing this piece, I tried to set the text homophonically in a clear and simple way.

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V1338
Il est bel et bon (SM-1), by Ward Swingle
(Passereau) SATB, synth, bass and drums. VINTAGE COPY. This is the first of a series of Madrigals recorded by my English group in the early 70's. It is an amazingly well-crafted work written by a Frenchman (Passereau) who's first name is unknown!

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V1410
L'amour de moi (SF-1), by Ward Swingle
(anon.) SSAATTBB a cappella. VINTAGE COPY. I first heard this lovely traditional melody while on a camping trip with friends in France. The arrangement features a soprano solo with a string-like accompaniment along with vocalized bass and drums.

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V1340
Mas vale trocar (SM-4), by Ward Swingle
(de Enzina) SATB, synth, bass and drums. VINTAGE COPY. I discovered this lovely madrigal with its sad melody and philosophical text in an obscure collection at the British Museum. It should be sung with great simplicity.

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V1293
Menuetto - Eine Kleine Nachtmusik (AFM-6), by Ward Swingle
(W. A. Mozart) SATB, bass and drums. VINTAGE COPY. This arrangement of the third movement of "Eine Kleine Nachtmusik" has been quite popular over the years. I often use it in my seminars to introduce the whole "vocal-instrumental" concept.

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V1342
Mir ist ein feinsbrauns Maidelein (SM-7), by Ward Swingle
(Othmayr) SATB, synth, bass and drums. VINTAGE COPY. The writing here is much more homophonic than in most madrigals. It has a folk music quality which can be underlined in the performance: very simple, very happy.

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V1434
Nu tandas tusen julejus (SSC-1), by Ward Swingle
(Ehrenborg/Kohler) SATB a cappella. VINTAGE COPY. I've given this lovely Swedish melody a Mozart-like accompaniment. Apart from getting the Swedish right, it's quite easy to sing.

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