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You are here: Home > Doubles in Woodwinds
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1730
Overture - Miami Suite Movement I, by Christopher Jentsch
(8 Brass) This brief movement serves as an introduction to the Suite as a whole. It is a short brass chorale that references thematic material from all of the other movements. It concludes with an inverted diminished cross-rhythm texture which sets up the flugel solo at the start of Movement II. All trumpets double on flugelhorn. Reed I plays soprano sax throughout. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.

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Our Price: $15.00
1734
Epilogue - Miami Suite Movement V, by Christopher Jentsch
(8 Brass) Epilogue takes the peak of the Media Event ending and calms the mood to prepare for the Suite ending. This brief movement recalls The Ballad... second movement closely but ties up the Suite with references to all of the other movements. Reed II plays soprano sax throughout and soprano voice is back in. No other doubles. Recorded by the University of Miami's Concert Jazz Band on Jentsch's Miami Suite CD.

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Our Price: $15.00
110
Good Bait, by Keith Bishop
Medium swing arrangement of the Tadd Dameron jazz standard. Scored for trumpet, alto sax, tenor sax (doubling flute), trombone, piano, bass and drums. Solos for flute, trumpet and alto with written backgrounds and ensemble "out chorus."

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Our Price: $25.00
112
All My Tomorrows, by Keith Bishop
Ballad feature for alto sax on this great standard. Scored for trumpet, alto sax, tenor sax (doubling flute), trombone, piano, bass and drums.

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Our Price: $25.00
1016
A Final Glimpse, by Chuck Owen
(Level 3) A light and simple bossa ballad that is intended as nothing more than a very pretty piece of music. This arrangement, originally written for Bill Watrous, is an excellent feature number for the lead trombonist in your band. Alto I and II, Tenor I - sop./clar., Tenor II - Flute, Bari - Fl/Clar.

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Our Price: $30.00
100
Still Friends?, by Keith Bishop
(4 Brass, 3 Sax) (Level 4) Original up-tempo bebop head on the chord changes of Just Friends. Solos for piano, guitar, trumpet, trombone, and saxophone soli. Alto sax doubles bass clarinet, tenor doubles flute, and bari doubles soprano sax.

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Our Price: $35.00
1024
Funk And Games, by Chuck Owen
(10 Brass) (Level 3) There's lots of humor and funk, and a unique Dixieland section that makes this a crowd pleaser. Both tenors solo, dueling it out at the end. Alto I and Bari - Fl; Alto II - Clarinet.

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Our Price: $35.00
1032
Queen City Lights, by Chuck Owen
(10 Brass) (Level 3) A rubato opening develops into a sensuous bossa with the flugehorn and optional alto flute stating the melody. The arrangmenet comes to a very powerful climax before the initial theme returns. Alto II - Fl/Sop; Tenor I, Tenor II & Bari - Clarinet

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Our Price: $35.00
602
No Future, by Matt Harris
(8 Brass) Funk chart double-time feel. Interesting sax line, yet not too demanding. First alto doubles on piccolo for 8 measures. No extreme range requirement for trumpets. Good use of trumpet unison lines. Electronic keyboard solo. Chart can be opened for guitar or horns. Comes with complete score.

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Our Price: $35.00
977
Light Sleep, by Alan D. Neveu
(4 Brass, 3 Sax) As the name suggests, this is a slow, delicate tune. The harmonies, melodies and texures are very adventuresome and are intended to create the feeling of taking a nap in bright sunshine. Most of the piece is in a slow 5/4 meter and the counting is a bit tricky. Woodwind doubles: Reed 1 (clarinet/soprano sax); Reed 2 (clarinet/tenor sax); Reed 3 (bass clarinet/bari sax); trumpets double on flugelhorn.

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Our Price: $35.00
101
Triplin' At The Six, by Keith Bishop
(4 Brass, 3 Sax) (Level 3) Original jazz waltz featuring flute, trumpet, and piano solos. Alto sax doubles on flute and soprano sax.

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Our Price: $40.00
1017
A Glimmer Of Hope, by Chuck Owen
(8 Brass) (Level 3) A uniquely scored a cappella wind soli opens this pensive bossa nova as the rhythm section announces the entrance of the featured soloist, the lead trombone. This lyrical melody provides any trombonist with a wonderful opportunity to display a warm, lush sound and control of the upper register. The piece is a charming, sentimental, understated and occasionally melancholy portrait but one that always retains a glimmer of hope. Recorded on Sea Breeze CD, Chuck Owen and the Jazz Surge. Alto I & II - Flute; Tenor I & II - Clarinet; Bar - Bass Clarinet; Trumpet II & IV - Flugel.

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Our Price: $40.00
1020
Alladin, by Chuck Owen
(8 Brass) (Level 3) At last! A big band chart that features the bass player. Starting in a somewhat "spacey" manner, the piece develops into a light, easy swing groove. There's a delightful section that has the brass trading with the woodwinds and a shout chorus that swings and swings. Solos for bass, soprano and flute. Alto I - sp./fl; Alto II - alto Flute (opt.); Tenor I - Flute; Tenor II - Clarinet; Bari - Bass Clarinet.

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Our Price: $40.00
1026
The Heritage, by Chuck Owen
(10 Brass) (Level 3) Some classical flavors are present in this emotionally charged composition. The simple, lyrical flute opening quickly becomes a driving Latin 3/4 beat. A soprano sax solo leads to the upbeat and triumphant ending. Alto I - Sop/Fl; Tenor II - Fl; Bari - Fl/Picc.

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Our Price: $40.00
1028
Kites, by Chuck Owen
(8 Brass) (Level 3) All the images and adjectives commonly associated with kites (peaceful, colorful, playful, etc.) could be used to describe this lovely contemporary ballad. An ethereal opening section featuring the pianist leads gently to a simple statement of the folk-like melody by the soprano sax. Understatement remains the key word throughout. This piece rises elegantly to its climax before floating back to earth. If you are an ECM fan, you will delight in this piece. WWI - Sop; WWI - Alto/Fl; WW III - Clar; WWIV - Fl; WW V - Bass Clar; Tpt IV - Flugel.

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Our Price: $40.00