University of Northern Colorado

Home

View Cart

My Account

Help


 

Special Sale!

Ward Swingle Blow-out Sale!
Ward Swingle vintage music as low as $0.75 per part.




Join our mailing list!
You are here: Home > Contemporary
Find by Pricing
Below 40 (9)
40 to 49.99 (13)
50 to 54.99 (6)
55 and Above (31)
Find by Brand
A. Patrick Rose (1)
Adam Bartczak (1)
Alf Clausen (1)
Charles Argersinger (1)
Charley Gray (1)
Christopher Jentsch (1)
Dan Keberle (1)
Dan Schwartz (4)
David Caffey (1)
Don Ellis (1)
Eric Richards (3)
Erik Applegate (1)
Fred Hamilton (3)
Gregg Akkerman (2)
James Miley (2)
Jeff Coffin (1)
Jeff Richmond (3)
Jon M. Leonard (1)
Jose Bevia (2)
Kerry Marsh (3)
Kevin Brunkhorst (7)
Malcolm Baker (1)
Marty Robinson (1)
Morgan Ames (1)
Ryan Middagh (3)
Scott Cowan (1)
Steve Haines (1)
Tom Matta (2)
Tommy Kamp (2)
Tyler Gilmore (2)
Vince Mendoza (1)
Will Campbell (1)
Yoichi Uzeki (2)
Sort By:
Page of 4
577
Hosanna, by Fred Hamilton
A contemporary up-tempo chart featuring trmpet, tenor sax, trombone, piano/guitar, bass and drums. Good changes to play on with challenging melodic line. Suggested scales written for each chord.

View all charts by Fred Hamilton
Our Price: $20.00
578
Laughing, Crying, by Fred Hamilton
A contemporary straight-ahead chart for trumpet, tenor sax, trombone, piano/guitar, bass and drums. Lots of challenging and interesting changes. Chord changes with suggested scales are provided for the soloist.

View all charts by Fred Hamilton
Our Price: $20.00
579
Missing You, by Fred Hamilton
A contemporary bossa-rock tune written for trumpet, tenor sax, trombone, piano, bass and drums. Suggested scales are included for the soloist. Interesting changes over which to play.

View all charts by Fred Hamilton
Our Price: $20.00
1820
Threads, by Gregg Akkerman
Composed with a contemporary, even-eighth-note feel and progressive harmony, this piece features a very memorable melody and challenging chords for the soloists. With its medium tempo and relaxed harmonic rhythm, this composition is an excellent alternative to the obligatory ballad during a combo recital. Arranged for soprano sax, trumpet, trombone and rhythm section with solo changes in all the parts.

View all charts by Gregg Akkerman
Our Price: $25.00
54
Ears Of Experience, by Charles Argersinger
Samba with contemporary harmonies on the head; exciting shout chorus. Solo in the bone part, which can be reassigned as necessary. Trumpet, tenor sax, piano, bass, drums.

View all charts by Charles Argersinger
Our Price: $25.00
815
Her Eyes, by Tom Matta
Contemporary ballad with intriguing chord changes. Alto sax and rhythm.

View all charts by Tom Matta
Our Price: $25.00
819
Moon And Sand, by Tom Matta
Gorgeous contemporary bossa nova. Lots of inner-voice independence. Five trombones and rhythm section.

View all charts by Tom Matta
Our Price: $25.00
2165
The First Noel, by A. Patrick Rose

(Level IV) The contemporary pop setting for this Christmas traditional will guarantee an original sound for any program. A dominant, yet subtle groove is constant throughout the piece and the voicings get progressively larger culminating in a huge sound during the last chorus. This all-male arrangement is on the more difficult side, but the payoff is a crowd pleaser and will leave your audience humming to themselves long after the performance. TTBB A Cappella
Our Price: $35.00
654
Phase Dance, by Tommy Kamp
An exciting arrangement of Pat Metheny and Lyle Mays' fast contemporary standard for small ensemble ( two trumpets, alto saxophone, tenor saxophone, trombone, bari saxophone, guitar piano, electric bass and drums). Features an open solo section for any instrument(s), a contrapuntal section after the out-chorus and a strong coda and final statement.

View all charts by Tommy Kamp
Our Price: $35.00
1191
Leave All My Dreams To Me, by Dan Schwartz
(Level 2) A modern a cappella setting of the old favorite Drink to Me Only with Thine Eyes. A great way to introduce your singers to the art of performing music that has a contemporary sound. SATB a cappella.

View all charts by Dan Schwartz
Our Price: $40.00
1194
Lonesome Road, by Dan Schwartz
(Level 2) An old inspirational favorite, arranged in contemporary gospel style. Begins with a solo in 3/4 time and in the next verse the choir enters. The second chorus changes to 4/4 and the song is brought to a unified finish with both solo and choir. Practical for both school and church groups. SAB with rhythm.

View all charts by Dan Schwartz
Our Price: $40.00
1199
This Will Be Our Time, by Dan Schwartz
(Level 2) An inspirational pop ballad suitable for graduation or general concerts. Contains today's contemporary sound of parallel sixths typical of many of the hit duets on the charts. Supportive piano accompaniment but not difficult. SATB with piano.

View all charts by Dan Schwartz
Our Price: $40.00
20
Goodbye Old Paint, by Morgan Ames

Old Western classic using modern harmonies and approach. SSAA a cappella.

View all charts by Morgan Ames
Our Price: $40.00
2315
In These Rooms, by Kevin Brunkhorst
(Level IV) In These Rooms is a lightly swinging moderate jazz waltz in the style of John Abercrombie or Pat Metheny and very relaxed and thoughtful in the vibe of the piece.  The introduction and solo section use densely scored simple melodic statements alternating with solo space for the lead guitarist.  The changes utilize shifting modes and suspended chords, with no ii-V-I.  Rhythms, except for occasional use of the ‘quartuplet’, are very simple. (five electric guitars, bass, and drums)

View all charts by Kevin Brunkhorst
Our Price: $40.00
2319
Excerpt from 'The Way Up', Part One, by Kevin Brunkhorst
(Leve IV) Excerpt from ‘The Way Up’, Part One is a guitar ensemble reading of the first theme (approximately the first six minutes) of Part One of The Pat Metheny Group’s 2005 epic ‘The Way Up’.  The lead guitar part takes on much of Pat’s role as melodic player and soloist, though guitars 2 and 3 sometimes play Pat’s overdubbed melodic parts.  There is a fairly long solo section with interesting modal changes, and everyone has strong roles in supporting and building around the soloist. Be careful not to let the ensemble build too quickly around the soloist!  This chart is good for students of the Metheny/Mays sound, and a favorite with audiences. (five electric guitars, electric bass, and drums)

View all charts by Kevin Brunkhorst
Our Price: $40.00