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You are here: Home > Instrumental: Baritone Saxophone
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Below 50 (3)
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Akira Sato (2)
Dan Gailey (1)
David Gibble (1)
Eric Richards (1)
Jack Cooper (1)
Jim McNeely (1)
Jim Olsen (1)
Keith Bishop (1)
Kim Gast (1)
Michael Sczerba (1)
Mike Holober (1)
Mike Kamuf (2)
Scott Arcangel (1)
Stewart R. "Dirk" Fischer (1)
Vince Norman (2)
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2138
Upper Manhattan Medical Group, by Michael Sczerba
Here is a fresh and exciting setting of this inspired melody for jazz saxophone ensemble, guitar, and rhythm section! Extended writing for saxophones with soprano lead; guitar plays a significant role. Baritone sax and guitar are the featured soloists. Strayhorn's key signature of five flats is retained. Alto I (Soprano Saxophone), Alto II, Tenor I, Tenor II and Bari Saxophones with rhythm section including guitar.

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Our Price: $35.00
527
Dee Dee, by Kim Gast
(8 Brass) This is a straight-ahead shuffle written over a set of relatively easy changes. Solos are scored for tenor and baritone saxophones. No doubles.

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Our Price: $45.00
92
Strollin', by Keith Bishop
(7 Brass) Medium groove Horace Silver classic featuring solos for baritone sax and trombone. Recorded by the Paolo Nonnis Big Band on USA Music Group records.

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Our Price: $45.00
498
Big Al Meets The Barnyard Gals, by Dan Gailey

(8 Brass) A hard-swinging shuffle that features the trombone and sax sections; also features piano and bari sax soloists on great solo changes. Your band will be a peckin' and a scratchin' after they play this one! Recorded on UNC's Alive XIV.

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Our Price: $50.00
1015
Sleazy Rider, by Jim Olsen

(8 Brass) (Level 4) The greasiest!! This severely altered blues is just the ticket for getting down and dirty. The slow 12/8 feel takes you right back to Chicago, eventhough the changes sound more like the Art Ensemble than Muddy Waters. There are solos for bari and alto saxes and trumpet, but anyone can blow on this one. Not hard, just lots of fun. As heard on the CD, Fragments. No doubles.

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Our Price: $55.00
1752
Abducted Aliens, by Akira Sato
(10 Brass) This high energy original composition features solos by the baritone and alto saxophone players. A rehearsal-friendly piece that is surprisingly easy to put together. Challenging solis and a big ending makes for an ideal closer for any concert.

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Our Price: $55.00
1907
Kind of Horace, by David Gibble
(8 Brass) This is a 24-bar minor blues chart that features a simple blues melody with a Horace Silver-like piano/bass ostinato. It gives plenty of easy blowing space for soloists of all levels. It also presents some challenging rhythmic ensemble sections for your band and will be a workout for your brass section and drummer. Features: Baritone Saxophone (opt. Trombone 3), Trumpet and Drum solos; optional flute (written in Alto 1 part also).

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Our Price: $55.00
2010
Cherokee, by Eric Richards
(9 Brass) Up-tempo samba featuring baritone saxophone (or guitar). It also features one chorus of unison ensemble that will blow your audiences away!

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Our Price: $55.00
278
Karen And Norman, by Jack Cooper
(8 Brass) Recorded by the California State University Los Angeles Jazz Ensemble. Easy-swinging tempo tune that is reminiscent of Hancock's Dolphin Dance. The chart is arranged in a very hard-swinging Thad Jones sort of style. Bari sax soloist is a change from the norm. Tenor sax solo gives way to hard-hitting shout that can show off the drummer and the lead trumpet player without making him or her sound too high.

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Our Price: $55.00
2332
Tacos & Pineapples, by Akira Sato

(Level IV) A funk piece for big band (10 brass). Solos for baritone, bass and drums. Recorded by the UNT One O'Clock Lab Band on "Lab 2001".

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Our Price: $55.00
2353
Reverse Peephole, Scott Arcangel

(Level IV) Reverse Peephole, by Scott Arcangel. A curious, lyrical melody over a unique set of chord changes that flows naturally, but not predictably over a slow straight-eighth jazz feel.  Flugelhorn, baritone saxophone & guitar share the melody as well as the solo space.  Alto 1 doubles on flute.  Lead trumpet up to high F.  Recorded by the West Point Band’s Jazz Knights on the CD Commissions 2006. (8 Brass)


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Our Price: $55.00
1004
Just Plane Me, by Vince Norman
(9 Brass) (Level 5) The style alternates from Latin to swing. There are solos in piano and bari sax parts.

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Our Price: $60.00
1011
Where's My Hasenpfeffer?, by Vince Norman
(9 Brass) (Level 4) A medium "Thadish" blues dedicated to a particular Warner Brothers cartoon. There are solos for bari sax, bass trombone and trumpet.

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Our Price: $60.00
1693
Maybe You Don't, by Mike Kamuf
(8 Brass) (Level 4) This is a high energy, hard-bop swing chart. The baritone sax and trumpet are the featured soloists and the ensemble provides the foundatin with a lot of hard driving ensemble work (includes sub parts for tenor solo). This piece was a staple of the Navy Commodores book in the mid 1990's Commissioned by Tony Leonardi for the Younstown State University Alumni Jazz Ensemble and recorded by the group on Celebration.

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Our Price: $60.00
1694
Stu's Blues, by Mike Kamuf
(8 or 9 Brass) (Level 4) A straight-ahead blues in Ab! Solo space provides room for baritone sax to stretch and for trombones 1 and 2 to battle. The momentum of this chart builds from the first chorus to the shout with plenty of swinging figures in-between. Originally written for the Woody Herman Band (The score is formatted for the Herman Band set-up but the chart comes complete with parts for standard instrumentation.)

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Our Price: $60.00